00:00
00:00
Krayon

81 Audio Reviews w/ Response

All 138 Reviews

Perfect, almost

I gotta hand it to ya. I started at a rating of 8, went up to 9 half way through, then just couldn't not give you a 10.

Then I read your description, smiled, and dropped it back to 8.

For relevance sake. :).

I'll get to that in a second, but before I do that, I'd like to make a few comments on the actual song itself.

Standalone, this song is spot on. I cannot truly critique the quality of it's ability to evoke some kind emotion, or the composition. You've chosen a theme and taken it through the whole piece without it getting repetitive. The timing is perfect, and the overall melody is quite beautiful.

And it gets better each time. There is nothing I would change in the piece, as it is.

Unfortunately for you, this is where my nature comes into play as a critic, and where I ask one simple, little question.

And believe me, this is one of the deadliest questions I will ever ask you. Properly appreciated, it will undermine your whole sense of self, your being, your career, your music, your life, how you treat others. Everything.

How far do you want to go?

When you've died, what will they say about you? Were you to die two years from now. What would they say about you? How far did you go?
Every man has a hold of his choices. Every man has a choice each and every day, every second of every moment, they have a choice.

How far will you go?

You do not change things by making a big choice. You change things with each and every little choice that leads up to that choice. Every human's life is built up of billions and billions of successive, little, choices.

So I ask again.

How far will you go?

When the world is at your feet and the songs ringing in your mind. What will you do? When the beat is thundering in your blood and the world a path of endless possibilities. Where will you walk? When the fingers are dancing on the keys and the music sounding in the air. Who will be listening?

You see, the question is about how much you want to achieve. It's about how much you want to do. It's about what goes into a piece. It's about whether you'll put it down and say done.

Or whether you'll go the extra mile.

How far will you go?
Because you see.

It ain't about the big choices. It's about each and every choice you make. It's about defining yourself. And defining your music. About making something that people will remember for centuries.

It's about being Timeless.

Leaving things behind that need no background to appreciate. No race, no colour, no age, nor any knowledge. Only a pair of eyes, or ears, or hands.

It doesn't matter what you do. Just what is done.

So I ask again.

How far do you want to go?

Because that's the crux of things. You've got a perfect piece. But it ain't memorable. It's beautiful, but nobodies gonna remember it. It almost literally goes in one ear and out the other. The composition cannot be critiqued, nor can the melody. The feeling is perfect. And the timing on time.

But it won't be remembered. It doesn't lead anywhere. It tells no great tale, cuts not so deep, it crossed the bridge of infinity. But it never leaps.

Oh dear. I'm rambling again. The whole point of it was to say it's time to move on. You've done a lot of nice pieces. But that's all they really are. Nice pieces. An english teacher of mine said something I'll never forget about the word nice. She said they hate the word nice.

It's just so... nice. It's like saying 'meh', shrugging your shoulders and saying, 'It's good.'

It's just so... non - committal.

It's time to take the next step. To move further, to push yourself, try something new, something unfamiliar. Something that thunders in our ears, boils in our blood and tears into the very recesses of our soul.

You'll not get it the first time, or indeed, maybe not even the thousandth.

But you'll get it.

And when you do.

The world is at your feet. Make something I'll remember. Make it for the world.

I'm outta characters, so if you ask, I'll pm, to elaborate.

Good luck! Krayon

Jabicho responds:

Thanks Krayon! Your review helped me a lot, I started to think about the potential of all pieces I made and that extra thing I could've added to all of them. I know I want to go far, I want to give that extra mile that only a few do. I want to make a piece, pieces, that everyone remembers and reaches them all the way. Pieces that are unique and everyone can be able to say that they're my style and the way they're played is impossible to copy. I'll try all my best, and you're right that maybe I won't succed at first, but I'll keep trying and trying, and I'm sure I'll reach my potential.

thanks again my friend, for taking the time to listen, and giving such a helpful and awesome comment, It reached me deeply and I'm sure it'll help me become a better musician.

Hum.

Drums were good. I really liked the drums. But I don't think it would be called a warriors journey. It just didn't sound right. Too bright. And a bit strange actually, you have these brightish drums then that backing, was it a wind instrument? I'm not sure, still getting the hang of telling instruments.

Argh. This piece is impossible to review! It's like a demoreel, half a billion different sections with half a theme!

I counted about 4 sections, first drum bit, second drum with backing, third drum bit, then that completely out of context/theme/tune/whatever violin.

That violin should perhaps be stuck on its own, in another song. Redo this piece big time and work out a theme. You have four distinct parts that don't mesh well. Work out which one you want and expand on that. If you want, do it in a four part series. But as it stands an individual song is supposed to have a singular theme and/or idea. So pick one and stick with it. Show me what you come up with and I'll shred it properly. As this one stands. I can't pull it apart, there's too many disparate elements.

Krayon

clone3872 responds:

i know what you meen about the title
it was all i could come up with.

Ach!

Chorals + synths + computer = horrible.

When doing chorals in electronics you really really really have to work hard on the articulation, vocal depth and variation in tones or it just sounds flat, like this one does.

The sudden stops don't help either.

The theme is calming enough, but it needs a lot of work before it will really go anymore. Chorals like this need a lot of depth and feeling behind them, as well as very careful weaving of the different elements. You have to really work on the smooth, calm of it and use more, lighter vocals.

Varying shades of the same colour, if you will. It's really the only way you can do it. The current backing and foreground is too limited and contrasting to work properly. That combined with the poor application of vocals really doesn't make this song sing.

However, the human voice is a goldmine, dig for all your worth and you'll miss it, but apply a bit of learning, understanding and time, and you can hit a jackpot.

Work on this, you have something there, it just needs a lot more work.

Krayon

kevinkt responds:

Working with Sibelius sound samples does limit me to how much I can control articulations and tambour. I sing in The UH Choir and I know what choir pieces sound like. i am not trying to imitate any typical choir but rather making my own sound. When I give this piece to a real choir I have the background as a composition student to bring out the sound that I want. Again I wish i could afford a sequencer to make the samples sound more human. As for the sudden stops, it is actually supposed to be a nice decrescendo to piano. Sibelius has a hard time with those types of musical expressions. Chorals + synths + computer = horrible but it's all I have sorry

Its ok.

It's ok, nothing fantastic, but it's good its own right. Drums need a bit more definition, they should be a bit louder and the articulations on the strings need to be a lot sharper, it's a touch muffled because of that.

Good journeying feel combined with a sort of action idea to it, but you'll really need to work on the clarity and quality of the instruments, they sound synthesised, I heard a lot worse, but they do sound synthesised. You could create more depth with stronger backing combined with a foreground instrument. Brass works well in a case like this.

Again, drums need to be reworked, made louder and heavier as well as strengthened.

Yeah, there's a lot you could do. Keep it up.

dicennian responds:

Thanks for the review. Yeah, you are right about the drums. Actually fixed it and uploaded the old file by mistake, took some time before I realized it. Good idea on the brass!

Repetitive

There are a lot of ways to portray silence, but this on really doesn't evoke that at all. It fits better in a reflective piece, but even that would fall over.

This is mainly due to the definite lack of any sort of melody, though you could call that descending note structure a melody, it's very simple and evokes little in the way of anything.

Also the repetitive nature of the piano only serves to emphasise this.

It would have been a better idea to have single, clear strikes of the piano and careful, sparing use of backing. Silence is best portrayed when juxtaposed with sound. In other words, nothing protrays silence better then silence itself beside noise.

Apologies if this sounds particularly nasty as far as reviews go. It is meant to offer constructive criticism bluntly. Take it or leave it, as you will, I am merely telling you what I think.

Krayon

Bitca responds:

Full title of the song is actually In Silence, His Love. It is about someone who could not express himself to the one he loved and had to remain silent and supportive as a good friend and watch her fall into the arms of another man.

As I mentioned in the description this is a conceptual piece that basically means that I was just freestyling, so to speak, with the little bit of footage I got from the film. The repetitiveness, although I do hear you, was intended. This piece was just supposed to capture one brief moment in the film, and that was he sees her for the last time.

On the other hand, I completely agree with single strikes of the piano. That was something I really considered once I´d posted my work. It is not too late though. It is only conceptual.

No need to apologies, your criticism was appreciated.

Regards,
Einar Magnús.

Disagreement

I'm in disagreement, music is one of the few forms of art that can directly touch the heart. You can carry emotions in music that you can never carry anywhere else.

Especially the human voice. There is something about the human voice that tugs at our innermost being with a strength that nothing else does.

Nice job with the song, it's nice to know you're over it. It has some excellent feeling, however, I feel, due to the power of your emotions, it could have been a good deal more powerful.
Passion can be conveyed in many ways, in music you need to lose yourself in it and the playing of the instrument. That's one of the things electronic music cannot emulate yet. Passion.

Good job though.

Krayon.

Dj-Flux responds:

Disagreement over what? I agree with you completely. Music carries an emotion all of it's own, and every time someone listens, that feeling is always passed.

Unfortunately I do not have the resources do compose a piece any other way, so electronically is the best I can do for now.

Thanks a lot for the input. I appreciate it. :]

Impressive.

Very nice job, even for non-free stuff this is outstanding. Where'd you get em from?

Good composition, dynamics, depth, texture. It was epic all right.
I don't hand out many tens but you've pretty much got mine. One thing I especially liked was the quality of the drums in this piece. Drums can really carry a song on their own if used properly, many classicists tend to forget this and go all string or brass. Nice job.

Krayon.

blackattackbitch responds:

Yeah, I've seen your reviews, so to get a 10 from you is really an honor.

I'll send you a PM detailing where I got my stuff in a little while. But the drums are mainly due to Squidfont's drumkit and the Roland Orchestral Rhythm soundfont, with a little help from 2 other percussion soundfonts.

Thanks for the review!

Well done

Well done. You managed to get me right into the middle of that thing. Very good. Nearly perfect combination of the various elements and this thing has a powerful feeling in it.

I did however, have a problem with the long start that seems disconnected with the rest of the piece, the walking, the beheading/execution, then the running? The heartbeat? The last beeping? It just doesn't seem to connect. They don't seem all that well integrated into the whole, being separate entities in their own right.

No, I'm not contradicting myself, each element - the running, croud sounds, heart beat, breathing etc, all flow really well together and sound great along with the music. It's just that there are sections that don't seem to fit together all that well, despite a smooth transition.

Krayon

Mrmilkcarton responds:

Song = placing the bomb, Alarm, jump out a window, run, stop, click, boom.

Get it now?

Course that's just how I imagine it.

Good.

Well, I listened to this one several times through without it getting annoying, which already rates at least 8 on my scale.
Nice feeling, though I really didn't catch the fear. You got the sadness, even if it didn't fully touch me.
The fear: Perhaps getting LadyArsenic to do some eirie vocals would help, or a violin. Otherwise you'd need to change the whole tune, piano's ain't so good for fear. You can do it, but there are better instruments for that.

The sadness: Ok, so you got that bit decently, but it still doesn't have enough feeling for a piece that's supposed to have so much background and feeling in it.
What I mean is, you're giving this a half hearted go. Don't do quiet and then louder. Poor energy into it. Hit those keys hard, inject raw passion into it, then, when you hit the quiet and stroke those keys, it's so much more effective. In other words, if you want real feeling, you gotta be feeling it from the core, for the sections with more power, you gotta work up a sweat. Ok, perhaps not that literrally, unless you do that in about 5 mins, but you get the idea. That's sorta essential for a song like this one which should have parts with passion in it.

Now onto each section:

1. If it's supposed to be powerful, where's that sweat breaking passion? Where's the heart crying to be free?! Nope, didn't cut the cake, sorry.

2. Not sure about this, generally when you're running, it's andrenalin pumping through your veins, not tranquilliser.

3. This one got me. Good job. You captured it beautifully, although it perhaps got a little fast around 4:45 and I did have some issues with the thinking about what the villain was going to do with her, since that would probably make her fearful, not sad.

4. Yeah, fair enough, finisher.

Generally, this piece was speculative, rather than carrying the things you wanted to really say. It seems more in line with someone thinking about a sad past rather than fearing and running.

It was still decent, anyway.
Krayon

Jabicho responds:

Oh man I must tell you, I always love your honesty in your reviews, thanks for telling me the good and bad things, they help me a lot.

It's cool to know you can hear it lot of times without getting bored, I think that's hard to get and I'm proud to accomplish it. hehe yeah the sadness is the dominant feeling here I'm gonna get better at making fear tunes. thanks for taking the tim to check each scene, it means a lot:

1. hehe yeah, I think it needs more strong changes, I'll keep improving.

2. lol the tranquilizer part made me laugh, you're right, I think it's not the "run for your life, he's behind you!" feeling captured in this part, but more of a "oh man... why does all these things happen to me" feeling =P I'll work on my "stress and desesperation" feeling a lot.

3. Thanks so much for that, I'm glad I got the melody compatible with this scene.

4. lol :P

Hehe yeah, I noticed most of my pieces give a reminiscence feeling when you hear them, I think it comse a lot of influence that I try to think of things that happened to me or saw somewhere to use as inspiration.

Thanks man, your support means a lot, take care!

Beautiful.

Beautiful. I could write a thousand words to say why. But in the end, it's because it touches my stone cold heart. I listen to music all the time, I've heard a thousand songs on Newgrounds, but I can say simply that there are very few that have truly succeeded in going deeper then my ears.
You've succeeded in doing what every musician should aim to do. Touch the heart. That's what music is all about. Because that's what life's all about. The heart, the soul.
If you want to make another version, orchestrate it. Subtlely weave in strings an drums to complement the piano.
IMO, anything else would probably ruin the feeling.

Krayon

broove responds:

Ohh.. thank you. It's a very soulful review.
About another version.. I know that this particular feeling most propably will be gone, but something else might appear. I don't know yet.. will see.

I'm a Christian, and I'm perfectly willing to debate theology if you want.

Age 34, Male

A Strange and Dark Place

Joined on 12/9/05

Level:
18
Exp Points:
3,550 / 3,600
Exp Rank:
15,752
Vote Power:
6.03 votes
Rank:
Police Officer
Global Rank:
14,951
Blams:
136
Saves:
515
B/P Bonus:
10%
Whistle:
Normal
Medals:
31