Good.
Well, I listened to this one several times through without it getting annoying, which already rates at least 8 on my scale.
Nice feeling, though I really didn't catch the fear. You got the sadness, even if it didn't fully touch me.
The fear: Perhaps getting LadyArsenic to do some eirie vocals would help, or a violin. Otherwise you'd need to change the whole tune, piano's ain't so good for fear. You can do it, but there are better instruments for that.
The sadness: Ok, so you got that bit decently, but it still doesn't have enough feeling for a piece that's supposed to have so much background and feeling in it.
What I mean is, you're giving this a half hearted go. Don't do quiet and then louder. Poor energy into it. Hit those keys hard, inject raw passion into it, then, when you hit the quiet and stroke those keys, it's so much more effective. In other words, if you want real feeling, you gotta be feeling it from the core, for the sections with more power, you gotta work up a sweat. Ok, perhaps not that literrally, unless you do that in about 5 mins, but you get the idea. That's sorta essential for a song like this one which should have parts with passion in it.
Now onto each section:
1. If it's supposed to be powerful, where's that sweat breaking passion? Where's the heart crying to be free?! Nope, didn't cut the cake, sorry.
2. Not sure about this, generally when you're running, it's andrenalin pumping through your veins, not tranquilliser.
3. This one got me. Good job. You captured it beautifully, although it perhaps got a little fast around 4:45 and I did have some issues with the thinking about what the villain was going to do with her, since that would probably make her fearful, not sad.
4. Yeah, fair enough, finisher.
Generally, this piece was speculative, rather than carrying the things you wanted to really say. It seems more in line with someone thinking about a sad past rather than fearing and running.
It was still decent, anyway.
Krayon